Rocznik historii sztuki online dating

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He was in Rome at the brief period when the small but flourishing printmaking industry created by Raphael working with engravers to diffuse his work had been disrupted by Raphael's sudden death in 1520, cutting off the supply of new designs, and other artists were recruited fill the gap. Hyatt Mayor describes Caraglio as "the most individual member of the group", who had a particular influence on French printmaking of the First School of Fontainebleau, although unlike Rosso he never went there.

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1500/1505 – 26 August 1565) known also as Jacobus Parmensis and Jacobus Veronensis was an Italian engraver, goldsmith and medallist, born at Verona or Parma.He had probably been introduced there through Pietro Aretino, a friend in Venice, and his contacts with the circle of the Italian-born Polish Queen Bona Sforza (1494–1557), such as Allesandro Pessenti, Bona's organist.In Poland he mostly worked for the court on medals, gems and goldsmithing rather than printmaking.Caraglio's prints were also often used as sources to be expanded into designs for maiolica.Caraglio fled to Venice on the Sack of Rome in 1527, in which his colleague Marco Dente was killed, and the whole circle dispersed.

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